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Lehrende: Yuning Teng
Veranstaltungsart:
Seminar
Anzeige im Stundenplan:
pol. Ikonographie
Semesterwochenstunden:
2
Credits:
5,0
Unterrichtssprache:
Englisch
Min. | Max. Teilnehmerzahl:
- | -
Weitere Informationen:
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WICHTIGE Hinweise vom Studienbüro zum WiSe 22/23
Leistungspunkte und An- und Abmeldung
Für Veranstaltungen mit unterschiedlichen LP-Varianten gilt:
- Pro Lehrveranstaltung nur eine Anmeldung!
- Ein Wechsel der LP-Variante einer Lehrveranstaltung kann NUR während der Anmeldephasen vorgenommen werden!
- Abmeldungen von Veranstaltungen sind NUR bis zum Ende der Abmeldephase möglich!
VIDEO TUTORIALS und Anleitungen zur Anmeldung
Modulbersichten
Kommentare/ Inhalte:
This seminar is given in English language.
Political iconography, which has its roots in the European art tradition, is widely employed in art history research today. Is this method, however, still effective in studying non-European cultures? This seminar attempts to address the issue via the perspective of contemporary Chinese art, which is based in Chinese cultural tradition and social reality while simultaneously being actively involved in global transcultural communication. It will generally trace the evolution of visual elements throughout Chinese art history, as well as their appearance in contemporary art experiments, and then broaden the discussion to include political and ideological strategies behind the image, which may cater to audiences and markets from different cultural backgrounds. In this seminar, political iconography will be utilized to investigate image clues of inheritance, appropriation, and transformation during the development of society, techniques, and ideology in the Chinese environment, which not only refers to China, but to all of the Chinese-speaking communities. The Chinese art tradition differs from European art, and contemporary art only emerged in China after the end of the 1970s, when it was highly impacted by the West in terms of ideas and production. In recent years, Chinese-language artists around the world have been exploring their own cultural heritage in order to create a new manner of self-expression and identity confirmation, as well as to present an alternative narrative to challenge the established world order. What do art works with distinct Chinese elements reveal? Are they a reflection of the ambition of rejuvenating traditional cultures, a pursuit of localized modernity, or an outcome of post-colonial studies? All of these issues will be discussed in the seminar with the use of actual and representative examples of art practices and exhibitions. To elaborate on the theme of political iconography in Chinese art, it will be divided into several sections, including landscapes, objects, portraits, animals, food, calligraphy, folk religion, the body, and collectivity. Relevant knowledge of Chinese culture or art is not necessary for the students, but they may respond based on their own background and experience.
Leistungsanforderungen und Voraussetzungen
BACHELOR
2 LP: U¨bernahme einer kurzen Beschreibung vor einem Original
4 LP: Übernahme eines Referates
6 LP: Übernahme eines Referates sowie das Verfassen einer schriftlichen Beschreibungsübung
Art und Umfang von Prüfungs- bzw. Studienleistungen werden ggf. zu Beginn der Lehrveranstaltung bekannt gegeben.
MASTER
2 LP: in der Regel regelmäßige aktive Teilnahme
5 LP: in der Regel Referat (ca. 20–40 Min).
10 LP: in der Regel Referat (ca. 20–40 Min) und in der Regel Hausarbeit (Umfang ca. 12–15 Seiten, Bearbeitungszeit: ca. 3–7 Wochen).
Art und Umfang von Prüfungs- bzw. Studienleistungen werden ggf. zu Beginn der Lehrveranstaltung bekannt gegeben.
Kontaktdaten der/des Dozierenden: ateng0127@gmail.com
Literatur:
• Zhou, Yan., A History of Contemporary Chinese Art: 1949 to Present, Singapore: Springer Singapore Pte. Limited, 2020.
• Wu, Hung., Contemporary Chinese Art: A History: 1970s-2000s, London: Thames & Hudson, 2014.
• Mary Bittner Wiseman & Liu Yuedi ed., Subversive Strategies in Contemporary Chinese Art, Leiden & Boston: Brill Academic Pub, 2011.
• Wu Hung & Peggy Wang ed., Contemporary Chinese Art: Primary Documents (MoMA Primary Documents), New York: Museum of Modern Art; Durham, N.C.: Distributed by Duke University Press, 2010.
Modulkürzel:
56-614 BACHELOR
2 LP BA ab WiSe 12/13 (HF/NF): EM2, EM3, VM1, FWB-intern/WB-KULTUR, FWB-uniweit
BA ab WiSe 16/17 (HF/NF): EM2, EM3, VM1, WB1-FV, WB-KULTUR, SG
4 LP BA ab WiSe 12/13 (HF/NF): AM3, AM4, FWB-intern/WB-KULTUR, FWB-uniweit
BA ab WiSe 16/17 (HF/NF): AM3, AM4, WB1-FV, WB-KULTUR, SG
6 LP BA ab WiSe 12/13 (HF/NF): AM3, AM4, FWB-intern/WB-KULTUR
BA ab WiSe 16/17 (HF/NF): AM3, AM4, WB1-FV, WB-KULTUR
56-614 MASTER
2 LP MA (alle): WM (fachliche Vertiefung), WM (MA-WB-KULTUR)
5 LP MA (alle): PM1, PM2, PM3, PM4, PM5, WM (fachliche Vertiefung)
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